Omran Daqneesh and the limits of war photography

Why do some war images, like the one of Syrian boy Omran Daqneesh, resonate more than others? Plus, Ecuador's media law.

Images of the powerless

There is no shortage of disturbing images from the war in Syria. But relatively few of them reach you - because editors often deem them too graphic to publish or broadcast. Last week, images of five-year-old Omran Daqneesh travelled around the world and sparked outrage. But to what end? And for how long?

This week, we analyse the power and the limits of war imagery.

Talking us through the story are: Mahmoud Raslan, media activist/photographer; Susie Linfield, author of The Cruel Radiance, Photography and Political Violence; Oksana Boyko, RT; Patrick Baz, Middle East and North Africa photo editor, Agence France-Presse; and Craig Allen, journalist, The New York Times.